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I am a Deviously Deviant
FadedBlueDenim
25/Male/United States
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Last Visit: 87 weeks ago
Ray
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I'm feeling a bit vexed... i feel creative, but let's face it, I work on a pc with photos... and as much fun as it is to play with someone else's fotos, I miss working on my own. I need a camera...
I start writing and I get stuck... I need to get unstuck before I come unglued...
Hey there, I was looking through your devs and was wondering if you would like to modify some of mine. Do you have anythign against workng with nudes? X
I mean, none of the work here is really reflective of the level of stuff I do, this is mostly just concept work. This is kind of my vehicle to work through some ideas, recently mostly filtered stuff.
Working on a goal oriented project would be interesting... i could experiment a bit more and also try to get a better handle on soem aspects of photomanip...
I'd like to see any particular work you had in mind to have done, and maybe some basic ideas on what you'd want done to it... you know, your vision of what it shoudl look like, and we could discuss it as it goes.
This should be very interesting.
--
"To absent friends, lost loves, old gods and the seasons fo mist, and may each and every one of us give the devil his due"
I was just looking through my own gallery and I am happy with the way these have turned out (that's why they are published online) so I will have to consult my hard-disk for incomplete photos or those which I wanted to alter but didn't know how.
If you look at those with a black background, could that be replaced by some kind of post-apocalyptic wasteland?
Also...
Would it be possible to implant circuitry or wounds realistically?
Thanks, X
--
Wedding Photography in Newport South Wales at [link]
Yeah I was going to mention the fact that the stuff in your gallery is pretty
The black backgrounds can easily be changed. Solid colors are usually the best for that sort of thing, though black and white are usually bad, because they tend to blend with the subjects shadows and highlights, hence the use of green in shots specifically taken to be altered. But it can be done... it's just a matter of being more careful, so it takes a bit more.
Blending in things, like wounds or circuitry, are easy. The most difficult part is designing them to look realistic, and to fit to the piece (i.e.: lighting and such). But the blends are simple once it's all together. I'll be sure to let you know some of the how to tips and tricks as stuff gets done, so you can play with the ideas.
Stuff like making someone look like a mermaid, that's a bit more difficult. I mean, it's all a matter of style... I might make a mermaid differently from you. The other things is that it's more of a transformation. Where putting circuitry or wounds on someone can be as simple as cut and paste (well, not THAT simple, but basically) this involves larger changes generally applied to the entire subject. Changing the skin tone, hair color, adding a 'scales' and maybe 'gills' sort of effect, maybe fins and such... but it can so difinitely be done.
Something I might suggest for something like that is making certain preparations in the shoot itself. If you've ever seen that sort of thing in production for movies you notice that a great part of the effects are still doen by hand, and smoothed out and changed digitally afterwards. So a specific shoot with her with some prep work to set it up for digital editing would be a good idea.
We can discuss this further whenever you're ready to do that... I could play around with some shots of her to see what I cando digitally, and what kind of concept I have, mermaid wise... which is a good question. What sort of image of a mermaid does she have? To give me an idea what sort of thing I should reference.
So yeah, look up your stuff and we'll see what we come up with.
Later
--
"To absent friends, lost loves, old gods and the seasons fo mist, and may each and every one of us give the devil his due"
Many thanks for the fave!!
--
Does your life shed light or cast shadows?
I am a sad old fan of anything combining cybernetics, the dark arts and the surreal with plain old fashioned beauty. Any ideas?
it'd be interesting to try some different things.
I mean, none of the work here is really reflective of the level of stuff I do, this is mostly just concept work. This is kind of my vehicle to work through some ideas, recently mostly filtered stuff.
Working on a goal oriented project would be interesting... i could experiment a bit more and also try to get a better handle on soem aspects of photomanip...
I'd like to see any particular work you had in mind to have done, and maybe some basic ideas on what you'd want done to it... you know, your vision of what it shoudl look like, and we could discuss it as it goes.
This should be very interesting.
--
"To absent friends, lost loves, old gods and the seasons fo mist, and may each and every one of us give the devil his due"
I was just looking through my own gallery and I am happy with the way these have turned out (that's why they are published online) so I will have to consult my hard-disk for incomplete photos or those which I wanted to alter but didn't know how.
If you look at those with a black background, could that be replaced by some kind of post-apocalyptic wasteland?
Also...
Would it be possible to implant circuitry or wounds realistically?
Thanks, X
--
Wedding Photography in Newport South Wales at [link]
Yeah I was going to mention the fact that the stuff in your gallery is pretty
The black backgrounds can easily be changed. Solid colors are usually the best for that sort of thing, though black and white are usually bad, because they tend to blend with the subjects shadows and highlights, hence the use of green in shots specifically taken to be altered. But it can be done... it's just a matter of being more careful, so it takes a bit more.
Blending in things, like wounds or circuitry, are easy. The most difficult part is designing them to look realistic, and to fit to the piece (i.e.: lighting and such). But the blends are simple once it's all together. I'll be sure to let you know some of the how to tips and tricks as stuff gets done, so you can play with the ideas.
Stuff like making someone look like a mermaid, that's a bit more difficult. I mean, it's all a matter of style... I might make a mermaid differently from you. The other things is that it's more of a transformation. Where putting circuitry or wounds on someone can be as simple as cut and paste (well, not THAT simple, but basically) this involves larger changes generally applied to the entire subject. Changing the skin tone, hair color, adding a 'scales' and maybe 'gills' sort of effect, maybe fins and such... but it can so difinitely be done.
Something I might suggest for something like that is making certain preparations in the shoot itself. If you've ever seen that sort of thing in production for movies you notice that a great part of the effects are still doen by hand, and smoothed out and changed digitally afterwards. So a specific shoot with her with some prep work to set it up for digital editing would be a good idea.
We can discuss this further whenever you're ready to do that... I could play around with some shots of her to see what I cando digitally, and what kind of concept I have, mermaid wise... which is a good question. What sort of image of a mermaid does she have? To give me an idea what sort of thing I should reference.
So yeah, look up your stuff and we'll see what we come up with.
Later
--
"To absent friends, lost loves, old gods and the seasons fo mist, and may each and every one of us give the devil his due"
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